Boris Rebetez

In the Studio

If the concept of transition interests Boris Rebetez, it is not to go from A to B, but rather to stay in the same position while at the same time conjuring up the endlessness of possible movements. His ceramic fish are not going anywhere, his reinforced concrete sword is too heavy to lift, in any event in the world such as we know it…

Marc-Olivier Wahler translated by Simon Pleasance

Opening June 17 1997
Exhibition from June 18 to July 6 1997