Artist Artist
Project Project
Fabrice Gygi’s installations, which are always nomadic and impalpable, can be taken down in a trice, they often sound out the image of authority and its many different forms of power. At the CAN, pursuing his line of thought about the structures of socialisation and coercion in our society, the artist showed a major, large work that pertinently extended his questioning of the notion of territory Moveable protective shields, stands and bars in grey-green fabrics, wire netting, loudspeakers… is all this apparatus for use by a repressive system or a resistance network ?
Marc-Olivier Wahler translated by Simon Pleasance
Opening March 26 1997
Exhibition from March 27 to May 11 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, vue d’exposition, 1997
Fabrice Gygi, flyer de l’exposition, 1997
CAN Centre d’art Neuchâtel, Fabrice Gygi